
This week’s selection of book reviews includes critiques of Lisa Hanawalt’s *I Can’t Stop Thinking About Horses and Sex*, Chad Harbach’s *The Brightness*, Claire-Louise Bennett’s *Kiss Kiss, Bye-Bye*, Meghan O’Gieblyn’s *Will and Attention*, and K Ming Chang’s *Needlemouth*.
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In *I Can’t Stop Thinking About Horses and Sex*, Sam Thielman notes Hanawalt’s fascination with bodies and humor that pushes boundaries, describing her vivid illustrations and complex narrative structure. The book merges memoir with artistic vignettes, showcasing a contrast between the author's playful drawings and serious themes. Through various characters, Hanawalt explores relationship dynamics and personal introspection, often intertwining humor and horror as she navigates sexual discovery alongside a character named Juniper, who represents a different emotional journey.
B. D. McClay’s review of *The Brightness* presents Harbach's exploration of contemporary life through characters skeptical of traditional realist novels. The narrative examines social norms and interpersonal dynamics within a college setting, raising questions about moral complexities that are understated within the story. McClay emphasizes the novel’s ability to engage with themes of reputation and ostracism while highlighting its more pleasant and less confrontational depiction of college life.
In her review of *Kiss Kiss, Bye-Bye*, Meghan O’Gieblyn describes Bennett’s narrative style as dreamlike, filled with repetitive scenes and reflections that mirror the cycles of thought. O’Gieblyn notes that while the storytelling may frustrate some readers with its lack of linearity, it remains a profound examination of consciousness and thought patterns, echoing the author’s own philosophical musings on the nature of language and writing.
James Wood discusses O’Gieblyn’s *Will and Attention*, which intertwines the themes of addiction and spirituality. The memoir navigates her struggles with alcoholism and the search for faith, framed within theological inquiries. Wood emphasizes the complexity of O’Gieblyn’s narrative, depicting her challenge to reconcile her desires for divinity with her substance use, illustrating a deeper philosophical quest.
Jac Jemc’s review of *Needlemouth* portrays it as a blend of allegory and family drama. Jemc highlights Chang’s examination of relationships and the physicality of experiences, emphasizing visceral and grotesque imagery. The novel invites reflections on the complexities of familial ties and personal quests while encouraging readers to confront the messy realities of life. With its layered storytelling, *Needlemouth* engages with profound themes of destruction and care alongside its haunting narrative.
These reviews offer insightful perspectives on contemporary literature, celebrating the nuances and challenges presented in each work.