Lynae Vanee's spoken-word EP, *Sundays in the Overflow*, is nominated for the Best Spoken Word Poetry Album at the GRAMMYs®. The track “I WANT MORE” emphasizes the need for citizen journalism and media literacy, while “MISSISSIPPI CRY” addresses the Flint water crisis and critiques narratives that downplay the history of slavery.

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Known for her engaging style, Vanee connects political discourse with everyday experiences, which has gained her recognition as a cultural commentator. Her background as a former educator and a Spelman College graduate informs her work, particularly in her series *The People's Brief*, focusing on the news and its impact on communities. Vanee explains that humor serves as a form of resistance, making complex issues more accessible and maintaining engagement from those affected.

Politics are a central theme in her EP, especially in tracks like “I WANT MORE” and “MISSISSIPPI CRY.” However, she also explores themes of Southern identity and personal growth, blending cultural references with humor and vulnerability. Her work often expresses a singular idea: while people deserve more, they must also reconsider their standards and expectations.

In “I WANT MORE,” Vanee declares, "I want more citizen journalists. I want more media literacy," demanding accountability from leaders and encouraging critical engagement from the audience about the information they consume. This track highlights the essential role of an informed public in effecting meaningful change.

In “MISSISSIPPI CRY,” she challenges the trivialization of slavery, posing the question, "If slavery was a choice, then tell me, who chose to conquer?" This line critiques current social injustices by linking historical oppression to contemporary issues, urging listeners to confront the realities of both past and present.

“BETWEEN THESE THIGHS” critiques the gap between revolutionary ideals and personal accountability, challenging societal change advocates to address their own behavior, particularly towards women.

In “IN EVERY UNIVERSE,” Vanee speaks to her multifaceted identity with humor, asserting confidence in her femininity while acknowledging her complex heritage.

“THIRTIES” reflects on the challenges of entering a new decade, exploring themes of adulthood, therapy, and self-acceptance while finding joy in the midst of uncertainty.

In “HEALTHY HEARTBREAK,” she articulates how meaningful relationships can exist even when they do not lead to permanence, capturing the bittersweet nature of affection.

Lastly, in “SOMEBODY,” Vanee recounts her experiences of emotional depletion from caring for others while establishing the crucial distinction between helping and feeling obligated to sacrifice oneself, a nuanced reflection on personal boundaries.