Ruth Ozeki’s new novel, A Book of Form and Emptiness, was released today. In an interview, she reflected on influential figures from her academic past, her writing routine, and valuable advice she has received over the years.
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Ozeki described a profound connection she formed with a college professor, L, during her junior year. L, a visiting scholar teaching Old English, captivated Ozeki from their first encounter. With her striking appearance and enchanting voice, L engaged students by emphasizing the richness of language and literature.
As the semester progressed, Ozeki and L developed a friendship through discussions about poetry and cinema, with walks in whimsical settings like the greenhouse enhancing their bond. Their time together culminated in L’s farewell gift: a poem by Elizabeth Bishop and an encouraging prophecy about Ozeki’s future as a novelist.
Despite her professor’s encouragement, it took Ozeki twenty years to publish her first novel. Throughout her career, which included a detour into filmmaking, she often wondered if L knew of her accomplishments. By the time her third novel was set to be published, she attempted to reach out to L but discovered that she had passed away just weeks prior. This loss still resonates with Ozeki as she reflects on her new work, which addresses themes of grief and healing.
Regarding her writing habits, Ozeki prefers to write in the early morning, enjoying the quiet and dream-like atmosphere before her critical mind fully awakens. This routine often includes meditation, which she finds helps to clear her mind before returning to her writing.
To overcome writer’s block, Ozeki keeps a process journal that she has maintained since 1996. This document serves as a space for experimentation and reflection on her writing challenges. By jotting down thoughts, questions, and deadlines, she navigates the creative process while documenting her journey.
Ozeki also shared insights on her initial love for reading, highlighting works such as Charlotte’s Web, which influenced her understanding of the power of writing. Furthermore, she recalled receiving significant advice from author Karen Joy Fowler: “You can only be the writer you are.” This guidance alleviated her pressures to conform to external standards, reinforcing the idea that her current abilities as a writer are sufficient.
Ultimately, Ozeki’s journey illustrates the complex interplay between aspiration and acceptance, shaping her voice and approach to storytelling in a meaningful way.