In her 20th book, "Talking Classics: The Shock of the Old," Mary Beard, a prominent classicist, offers both a critical overview of classical studies and a memoir reflecting on her 50 years of engagement with Greco-Roman antiquity. The book, published by the University of Chicago Press in 2026, spans 208 pages and is dedicated to the curator who inspired her fascination with the ancient world at age five at the British Museum.
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Beard emphasizes the importance of engaging with the classical past not just as a cherished legacy, but as a platform for challenging discussions. She aims to dispel the notion of antiquity as a distant, incomprehensible era by using relatable examples such as political graffiti in Pompeii promoting candidates and other societal commentary illustrated on ancient walls.
The author examines how classical elements have been appropriated throughout history, from Saint Augustine to fascists. A notable inclusion is a photograph from 1938 showing Hitler and Mussolini touring the Altar of Augustan Peace, highlighting the intersection of classical heritage and modern political ideologies. Beard notes how the classical language and imagery have also been employed as symbols of power and authority in contemporary contexts.
Among the many facets Beard discusses are representations of Greek and Roman art, including the contrasting emotions expressed in works like Euripides's "Bacchae" and the rationality shown in Athenian philosophy. She critiques historical portrayals of figures like Augustus and their transformation into propaganda.
Beard highlights how classical texts can provide a safe space to confront modern issues, such as incest and racism. She reflects on how these texts resonate with contemporary audiences, advocating for careful interpretation that avoids projecting modern values onto ancient cultures.
One significant subject she addresses is the historical exclusion of women from classical studies, detailing disparities in educational materials and the contributions of scholars like Jane Harrison, a pioneer in the field despite systemic barriers. Beard’s work invites readers to explore ancient themes relevant today while also acknowledging the elitist gatekeeping that has historically surrounded the subject.
Ultimately, Beard celebrates the classics as a means of fostering a deeper understanding of humanity and encourages readers to find wonder in antiquity’s challenges and complexities. Ronald Mellor, a distinguished professor emeritus of history at UCLA, contributed to LARB’s review of Beard's influential work.