'The Book of Immaculate Perception/Madrigals' by Larry Beckett and Marc Zegans, published by Bamboo Dart Press in 2026, brings together two poets with distinct styles in a tête-bêche format, which features the texts arranged upside down next to each other. This unique layout invites readers into its pages filled with white space and contrasts the sacred and the profane.
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Zegans' section, titled 'The Book of Immaculate Perception,' alludes to the Catholic Church's concept of immaculate conception, while Beckett’s part, 'Madrigals,' refers to secular vocal music from the Renaissance. The two poets embody a duality often found in art, illustrating that one cannot exist without the other.
Blurbs from other writers dominate the volume, providing commentary on both poets. David Perkins describes Beckett's work as 'raw and ruddy' and Zegans’ as 'meditative and serene,' although both share elements of serenity and rawness. Jennifer Greer suggests that Zegans’ poems offer a journey from pre-birth to old age, while Beckett's work retains an 'erotic charge.' Sarah Tremlett highlights the book’s design as a representation of evolution’s interconnectedness.
The poets avoid overt confessional tones while still maintaining personal and intimate elements. Beckett’s madrigal poem, which transitions from darkness to dawn, is complemented by lists of flowers that evoke vivid imagery. Likewise, Zegans employs color in his verses, stimulating a visual experience for the reader.
Readers can begin with either poet’s section and easily navigate between the two. Zegans designed the book, with layout by Mark Givens and cover art by Dennis Callaci. Together, this collaborative effort showcases creativity and innovation, as both Zegans’ nine Roman numeral poems and Beckett’s untitled pieces radiate vibrant energy.
The reviewer notes that Raskin, Beckett, and Zegans will share a performance at Bird & Beckett in San Francisco on October 8th at 7 PM.