In her poetry collection, *Tree of Knowledge*, Victoria Chang offers a transcendent exploration that moves beyond social and environmental injustices to examine their roots. Rather than expressing anger or judgment, Chang seeks a different perspective, one that allows for a more comprehensive understanding of these issues. She presents a unique cartographic vision, witnessing a realm just beyond the bitterness and rage associated with these subjects.
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Chang’s work emphasizes discovery and a fresh viewpoint at every turn. She frequently challenges conventional perceptions, suggesting that things often contain opposing elements. In her poems, she asserts ideas such as, "Art is a guarantee of sanity, and I think art is a guarantee of insanity," and reflects on humanity’s relationship with form, stating, "The urge toward form is the urge away from God."
A notable feature of the collection is its inclusion of photographs of early-20th-century Chinese immigrants, each accompanied by a concise poem. One striking image depicts canning workers beside large fish before them, with Chang writing poignantly, "We are a derangement. A premature and horrible death. We are arranged, lying down. The fish are standing up, scraping out our narratives."
In her poem "Female Head," Chang illustrates the ancient forest in Montana’s Yaak Valley, likening the experience of being in nature to an awakening of the senses. She muses on the interconnectedness of trees, questioning if they can feel panic as they sense the approaching threat of a chainsaw.
Throughout *Tree of Knowledge*, the protagonists, often resembling the poet herself, search for color amidst a backdrop of psychological darkness. Chang conveys hope through her journey into uncharted territory, suggesting that even in confronting violence, it may be possible to transcend it. In the poem "Eureka," she reflects, "it’s possible that these trees aren’t headstones // it’s possible we can outlive violence."
Rick Bass, the author of over 30 books and various literary awards, provides insights into Chang's work. He has contributed to numerous publications and teaches in the Stonecoast low-residency MFA program, drawing from his long-standing connection to Montana's Yaak Valley.