Marlon James' new novel, ‘The Disappearers,’ has garnered significant praise, with Dwight Garner of The New York Times declaring it a “masterpiece” and possibly the novel of the decade. Spanning over 600 pages, it explores the harrowing experiences of several closeted gay men in 1988 Jamaica who are attacked by a homophobic mob during a play rehearsal. The aftermath leaves the survivors profoundly affected.
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The narrative centers on two men, Eddy Porteus and Jordan Brown, whose paths converge after a violent incident alters their lives. Laura Miller from Slate notes that while Eddy and Jordan are not close friends, the tragedy forces them to collaborate in searching for their missing troupe members after the mob attack.
Critics have highlighted James' unique literary style, combining eroticism with intricate language, music references, and cultural commentary, as noted by Hamilton Cain in The Boston Globe. The story traverses various locales, including Miami, London, and New York, anchored by a nostalgic connection to pop culture and the characters' resilience.
Ron Charles, writing in his Substack newsletter, acknowledges the novel’s brilliance but also emphasizes its demanding nature. He describes it as an exploration of the brutal realities faced by homosexuals in a hostile world. While the book provides a stark depiction of trauma, it also offers moments of hope, portraying characters who find ways to not only survive but flourish. This “incomparable” work is expected to resonate with readers confronting similar struggles today.